
Join CARE SYLLABUS for the third in a series of lectures, part of The Mind’s Eye Works-In-Progress
                              Colloquium.
Title: Private Performance as Caretaking
Abstract: In this exploration of performance, acts of endurance, and the role of caretaking
                              in the arts and recovery, Melanie Mowinski examines the idea of wilderness mindset.
                              Mowinski defines wilderness mindset as being present to the unpredictability of life,
                              a concept she developed through her walking practice. When one deliberately seeks
                              the uncomfortable or the opportunity to be lost while walking, resiliency, perseverance,
                              confidence and fortitude get exercised. What is done “alone” can be framed as private
                              performance, an act of endurance in the ongoing care for the body and soul within
                              this great unknown. 
Speaker Bio
Melanie Mowinski lives and works in the Berkshire Hills of western Massachusetts where
                              she is a professor of art at the Massachusetts College of Liberal Arts (MCLA). Mowinski
                              holds an MFA from The University of the Arts in Philadelphia and an MAR from Yale
                              University. Mowinski balances hyper control & very specific rules with experimental
                              investigations in her letterpress and book arts making. She gravitates towards the
                              creation of one-of-a-kind artist books housed in unusual and traditional enclosures.
                              Her books under the imprint PRESS • 29 PRESS are in private and public collections
                              around the world.

Join CARE SYLLABUS for the second in a series of lectures, part of The Mind’s Eye
                              Works-In-Progress Colloquium.
Title: Witches, Girlhood, and the Ethic of Care
Abstract: In this talk, Dr. Castro outlines childhood studies interpretations and applications
                              of the feminist ethic of care to expand the concept of children’s ethic of care to
                              their material cultures. Castro discusses the caring girlhood of young witches as
                              represented in examples from film, streaming media, and literature to argue that girl
                              witches are material culture – subsumed into the narrative and cultural imaginary,
                              a witch (when younger) is no longer a scary person but instead a material culture
                              artifact. The young witch is first and foremost carer for others around them, whether
                              that be animal, friend, relative, or trusted adult.
Speaker Bio
Ingrid E. Castro is Professor of Sociology at MCLA. She earned her MA and PhD in Sociology,
                              with two Graduate Certificates in Cinema Studies and Women & Gender Studies, from
                              Northeastern University. She regularly writes on children and childhood, specifically
                              child and youth agency, ethic of care, generationalism, and interpretive reproduction.
                              Her edited volumes include Researching Children and Youth: Methodological Issues, Strategies, and Innovations (2017); Representing Agency in Popular Culture: Children and Youth on Page, Screen, and In
                                 Between (2019); Child and Youth Agency in Science Fiction: Travel, Technology, Time (2019); and Childhood, Agency, and Fantasy: Walking in Other Worlds (2020).

Join CARE SYLLABUS for the first in a series of lectures, part of The Mind’s Eye Works-In-Progress
                              Colloquium. 
Title: Imitation of Life: A Lyric Essay
Abstract: In this reading of an essay begun during this past year, Zack Finch explores whether
                              performance art and literature can enact the sorts of funerary, healing, and socially
                              cathartic care work traditionally reserved for more religious rituals and ceremonies
                              of mourning.  Moving across a spectrum of aesthetic texts, including installation
                              works by Taryn Simon, sculpture by Fred Wilson, essays by Stéphane Mallarmé, and films
                              by Douglas Sirk and Stan Brakhage, this work-in-progress takes a personal, auto-theoretical
                              approach to the question of how one navigates loss and separation under the conditions
                              of the ongoing pandemic. 
Speaker Bio
Zack Finch is a poet, essayist and scholar of modern and contemporary US poetry and
                              poetics. He has received awards and fellowships from the Fine Arts Work Center in
                              Provincetown, the Breadloaf Writer's Conference, the Vermont Studio Center, and the
                              Wallace Stevens Society. His work has appeared in places including American Letters
                              & Commentary, Boston Review, Fence, Jacket2, Poetry and Tin House. A graduate of Warren
                              Wilson's Program for Writers (MFA in poetry) and University of Buffalo's Poetics Program
                              (PhD), he currently teaches writing and literature courses in the English Department
                              at the Massachusetts College of Liberal Arts.